On 1 December, the exhibition Borderless Universe in Their Minds: Italian Transavantgarde and Estonian Calm Expressionism will open in the Great Hall of the Kumu Art Museum.

A museum dedicated to the Estonian artist Adamson-Eric was opened in a newly renovated building in Tallinn’s Old Town on 2 December 1983.

The exhibition features four experimental documentaries. In addition to the immersive and sensitive centrepiece When the body says Yes, three of bonajo’s earlier works are included, exploring the themes of intimacy and the search for contact.

The exhibition The Father of Caricature: Works by Daumier from R. Paul Firnhaber’s Collection is the first opportunity in Estonia to get to know the artist’s work in depth and detail.

Modern research techniques make it possible to reveal everything invisible to the naked eye.

The Sustainable Exhibition Model is a practical and inspiring tool to help museums assess the environmental impact of exhibitions and make their exhibitions greener.

Leis, Tabaka and Rožanskaitė were exceptional artists in Soviet-occupied Estonia, Latvia and Lithuania, respectively, who challenged the rules of the art world of their time.

The exhibition is Anu Põder’s first major retrospective outside Estonia.

The Art of Adapting is an exhibition that explores how we habitually perceive, interpret and value natural environments and our co-species.

In Estonian art, Küttner is a metal artist with an extraordinarily broad range; as a passionate and inventive experimenter, she has used a wide range of materials and techniques.

The buses that leave from the Solaris Centre quite frequently will quickly take you to Kumu, in only a matter of minutes.

The museum, comprising five sites around Tallinn, host altogether 15 exhibitions ranging from Ukrainian avant-garde and Estonian women printmakers at the Kumu Art Museum to Finnish modernism at Kadriorg Art Museum and 16th-century altarpieces from Michel Sittow´s workshop in Niguliste Museum.