The magnificent exhibition introduces the abundant 15th‒17th-century Flemish art collection of The Phoebus Foundation, and provides an overview of the versatility of Belgian art culture of that time.
The exhibition deals with this powerful phenomenon by displaying works from the Meccas of the heyday of rave, England and Belgium, and provides insight into rave culture today in the Berlin nightclub Berghain, as well as in many other locations.
Ando Keskküla’s (1950–2008) retrospective solo exhibition covers the creatively most active period of his career, from the end of the 1960s to the end of the 1990s.
The exhibition presents the St Dymphna altarpiece, painted around 1505 by Goossen Van der Weyden, a grandson of the famous Flemish artist Rogier Van der Weyden.
The exhibition of the works of one of the most renowned Estonian avant-gardists, Ado Vabbe (1892–1961), focusses on the variegated stages of his creative career.
Kaljo Põllu (1934–2010) is one of the most distinguished Estonian artists and a visual interpreter of the world-view of Finno-Ugric and Nordic peoples and their ancient myths.
The works of artists of two different generations are used to address topical women’s issues. Women are viewed against the background of social blows and in the context of real and grim stories.
