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The artist Flo Kasearu enters into dialogue with the circumstances, looks at the changes in the operation of the museum and documents the new daily routine of its custodians.

The exhibition focusses on one of the largest private art collections in Estonia and on its owner, Mart Lepp.

The permanent exposition of the Kadriorg Art Museum presents the cream of the foreign art collection of the Art Museum of Estonia, which consists mostly of paintings, sculptures and applied art from Western Europe and Russia from the 16th to the 20th centuries.

After his deportation and imprisonment in Siberia from 1949 to 1957, Olev Subbi (1930–2013) returned to Estonia and resumed his art studies. During the 1960s–1980s his art was exceptional under the strict Soviet Estonian regime.

The core of the permanent exhibition of the museum is made up of European and Chinese ceramics and porcelain, and Western European paintings from the former collection of Johannes Mikkel.

The artist Flo Kasearu enters into dialogue with the circumstances, looks at the changes in the operation of the museum and documents the new daily routine of its custodians.

The collection in the Niguliste Museum holds the most remarkable and valuable part of the medieval and early modern ecclesiastical art of Estonia. Most of the works of art in the Niguliste Museum’s collection originate from the church itself and have been displayed in their former locations.

The exhibition of the works of one of the most renowned Estonian avant-gardists, Ado Vabbe (1892–1961), focusses on the variegated stages of his creative career.

The museum is dedicated to Adamson-Eric (1902–1968), one of the most versatile creative personalities in Estonian art in the 20th century. 

After his deportation and imprisonment in Siberia from 1949 to 1957, Olev Subbi (1930–2013) returned to Estonia and resumed his art studies. During the 1960s–1980s his art was exceptional under the strict Soviet Estonian regime.

The exhibition focusses on one of the largest private art collections in Estonia and on its owner, Mart Lepp.

This exhibition represents one possible approach to the Estonian art of the second half of the 20th century, when it was characterised mainly by conflicts with and adaptations to the new political order established after World War II.

The exhibition of the works of one of the most renowned Estonian avant-gardists, Ado Vabbe (1892–1961), focusses on the variegated stages of his creative career.

The permanent exposition of the Kadriorg Art Museum presents the cream of the foreign art collection of the Art Museum of Estonia, which consists mostly of paintings, sculptures and applied art from Western Europe and Russia from the 16th to the 20th centuries.

The rooms of permanent exhibition are filled with the early classics of Estonian art from the 18th century until the end of the Second World War.

This exhibition represents one possible approach to the Estonian art of the second half of the 20th century, when it was characterised mainly by conflicts with and adaptations to the new political order established after World War II.

The rooms of permanent exhibition are filled with the early classics of Estonian art from the 18th century until the end of the Second World War.

The core of the permanent exhibition of the museum is made up of European and Chinese ceramics and porcelain, and Western European paintings from the former collection of Johannes Mikkel.

The museum is dedicated to Adamson-Eric (1902–1968), one of the most versatile creative personalities in Estonian art in the 20th century. 

The collection in the Niguliste Museum holds the most remarkable and valuable part of the medieval and early modern ecclesiastical art of Estonia. Most of the works of art in the Niguliste Museum’s collection originate from the church itself and have been displayed in their former locations.