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The magnificent exhibition introduces the abundant 15th‒17th-century Flemish art collection of The Phoebus Foundation, and provides an overview of the versatility of Belgian art culture of that time.

The permanent exposition of the Kadriorg Art Museum presents the cream of the foreign art collection of the Art Museum of Estonia, which consists mostly of paintings, sculptures and applied art from Western Europe and Russia from the 16th to the 20th centuries.

The core of the permanent exhibition of the museum is made up of European and Chinese ceramics and porcelain, and Western European paintings from the former collection of Johannes Mikkel.

The exhibition presents the St Dymphna altarpiece, painted around 1505 by Goossen Van der Weyden, a grandson of the famous Flemish artist Rogier Van der Weyden.

The collection in the Niguliste Museum holds the most remarkable and valuable part of the medieval and early modern ecclesiastical art of Estonia. Most of the works of art in the Niguliste Museum’s collection originate from the church itself and have been displayed in their former locations.

The exhibition introduces one of the most recognisable and beautiful symbols of Japan: the kimono.

The new permanent exhibition highlights the versatility of the artist as a delicate painter, as well as a renowned creator of applied art who revealed the richness of his ideas and dynamic movement between various fields of art.

The new permanent exhibition highlights the versatility of the artist as a delicate painter, as well as a renowned creator of applied art who revealed the richness of his ideas and dynamic movement between various fields of art.

The exhibition deals with this powerful phenomenon by displaying works from the Meccas of the heyday of rave, England and Belgium, and provides insight into rave culture today in the Berlin nightclub Berghain, as well as in many other locations.

This exhibition represents one possible approach to the Estonian art of the second half of the 20th century, when it was characterised mainly by conflicts with and adaptations to the new political order established after World War II.

The exhibition introduces one of the most recognisable and beautiful symbols of Japan: the kimono.

The permanent exposition of the Kadriorg Art Museum presents the cream of the foreign art collection of the Art Museum of Estonia, which consists mostly of paintings, sculptures and applied art from Western Europe and Russia from the 16th to the 20th centuries.

The magnificent exhibition introduces the abundant 15th‒17th-century Flemish art collection of The Phoebus Foundation, and provides an overview of the versatility of Belgian art culture of that time.

This exhibition represents one possible approach to the Estonian art of the second half of the 20th century, when it was characterised mainly by conflicts with and adaptations to the new political order established after World War II.

The exhibition deals with this powerful phenomenon by displaying works from the Meccas of the heyday of rave, England and Belgium, and provides insight into rave culture today in the Berlin nightclub Berghain, as well as in many other locations.

The core of the permanent exhibition of the museum is made up of European and Chinese ceramics and porcelain, and Western European paintings from the former collection of Johannes Mikkel.

The exhibition presents the St Dymphna altarpiece, painted around 1505 by Goossen Van der Weyden, a grandson of the famous Flemish artist Rogier Van der Weyden.

The collection in the Niguliste Museum holds the most remarkable and valuable part of the medieval and early modern ecclesiastical art of Estonia. Most of the works of art in the Niguliste Museum’s collection originate from the church itself and have been displayed in their former locations.