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Ando Keskküla’s (1950–2008) retrospective solo exhibition covers the creatively most active period of his career, from the end of the 1960s to the end of the 1990s.

The permanent exposition of the Kadriorg Art Museum presents the cream of the foreign art collection of the Art Museum of Estonia, which consists mostly of paintings, sculptures and applied art from Western Europe and Russia from the 16th to the 20th centuries.

The exhibition focusses on one of the largest private art collections in Estonia and on its owner, Mart Lepp.

The core of the permanent exhibition of the museum is made up of European and Chinese ceramics and porcelain, and Western European paintings from the former collection of Johannes Mikkel.

The exhibition will tell the story of the Virgin Mary through medieval and early modern art works from houses of worship in Estonia and Livonia, and will also introduce masterpieces of Estonian medieval art from various churches.

The collection in the Niguliste Museum holds the most remarkable and valuable part of the medieval and early modern ecclesiastical art of Estonia. Most of the works of art in the Niguliste Museum’s collection originate from the church itself and have been displayed in their former locations.

After his deportation and imprisonment in Siberia from 1949 to 1957, Olev Subbi (1930–2013) returned to Estonia and resumed his art studies. During the 1960s–1980s his art was exceptional under the strict Soviet Estonian regime.

The museum is dedicated to Adamson-Eric (1902–1968), one of the most versatile creative personalities in Estonian art in the 20th century. 

This exhibition represents one possible approach to the Estonian art of the second half of the 20th century, when it was characterised mainly by conflicts with and adaptations to the new political order established after World War II.

After his deportation and imprisonment in Siberia from 1949 to 1957, Olev Subbi (1930–2013) returned to Estonia and resumed his art studies. During the 1960s–1980s his art was exceptional under the strict Soviet Estonian regime.

The permanent exposition of the Kadriorg Art Museum presents the cream of the foreign art collection of the Art Museum of Estonia, which consists mostly of paintings, sculptures and applied art from Western Europe and Russia from the 16th to the 20th centuries.

The exhibition focusses on one of the largest private art collections in Estonia and on its owner, Mart Lepp.

The rooms of permanent exhibition are filled with the early classics of Estonian art from the 18th century until the end of the Second World War.

Ando Keskküla’s (1950–2008) retrospective solo exhibition covers the creatively most active period of his career, from the end of the 1960s to the end of the 1990s.

This exhibition represents one possible approach to the Estonian art of the second half of the 20th century, when it was characterised mainly by conflicts with and adaptations to the new political order established after World War II.

The rooms of permanent exhibition are filled with the early classics of Estonian art from the 18th century until the end of the Second World War.

The exhibition will tell the story of the Virgin Mary through medieval and early modern art works from houses of worship in Estonia and Livonia, and will also introduce masterpieces of Estonian medieval art from various churches.

The core of the permanent exhibition of the museum is made up of European and Chinese ceramics and porcelain, and Western European paintings from the former collection of Johannes Mikkel.

The museum is dedicated to Adamson-Eric (1902–1968), one of the most versatile creative personalities in Estonian art in the 20th century. 

The collection in the Niguliste Museum holds the most remarkable and valuable part of the medieval and early modern ecclesiastical art of Estonia. Most of the works of art in the Niguliste Museum’s collection originate from the church itself and have been displayed in their former locations.