The exhibition brings together three different, yet equally sensitive artistic visions. Their photographic series exemplify how the camera may amplify the distance from the surrounding environment, lend voices to stones, plants and water, and make the intrinsic interlacing of natural and artificial environments visible.
This contemporary art exhibition invites viewers to consider issues related to mental health and well-being. How can we maintain a comfortable balance between joy and sorrow, work and leisure? Why do things sometimes get out of balance?
In Livonia, just like in the rest of Europe, pilgrimages formed an intrinsic part of mediaeval life. This exhibition, which provides an overview of the phenomenon, is the first opportunity for the public to see the majority of currently known Estonian and Latvian material artefacts, as well as the textual and artistic legacy, of Livonian pilgrimages.
The exhibition is dedicated to the depiction of Spain and includes romantic views of Spain, as well as masterpieces by the grand masters of Modernism. Buoyant and sunny, or dark and tragic, the “whiteness” and “blackness” of the quintessence of Spain are revealed through magnificent works of art.
The exhibition introduces members of the Kügelgen family, who played a significant role in the cultural history of Estonia. The display includes works of art created by the Kügelgens and everyday objects associated with the family. The majority of the exhibits belong to the private collection of the Kügelgen family. Tallinn is the third city, after Lüneburg and Dresden, where this exhibition has been held.
The Niguliste Museum presents the Swedish Royal Armoury’s family exhibition of unicorns and expands it with fantastic and mythical creatures from Estonian collections. The exhibition explores the story and meaning of the magical unicorn and opens up a wider world of fictional and fantastic creatures.
The exhibition sheds light on the early history of the Art Museum’s collection in the 1920s–1930s, during the first decades of the Republic of Estonia, when ethnographic artefacts, national handicrafts and other items of cultural heritage were collected by the museum, in addition to works of art.
The exhibition, dedicated to the 100th anniversary of the birth of Ülo Sooster, an inimitably playful creator and a significant reformer of Estonian post-war modernism, displays works that belong to private collections.
Kaja Kärner (1920–1998) was one of the central figures in the legendary Tartu circle of friends, the first informal group of artists in post-World War II Estonia. She created abstract compositions with a good sense of rhythm and colour, collages and genre paintings which capture the overall tonality of the era with subtle shades of colour and hidden irony.
