Ando Keskküla’s (1950–2008) retrospective solo exhibition covers the creatively most active period of his career, from the end of the 1960s to the end of the 1990s.
The exhibition presents the St Dymphna altarpiece, painted around 1505 by Goossen Van der Weyden, a grandson of the famous Flemish artist Rogier Van der Weyden.
The exhibition of the works of one of the most renowned Estonian avant-gardists, Ado Vabbe (1892–1961), focusses on the variegated stages of his creative career.
Kaljo Põllu (1934–2010) is one of the most distinguished Estonian artists and a visual interpreter of the world-view of Finno-Ugric and Nordic peoples and their ancient myths.
The works of artists of two different generations are used to address topical women’s issues. Women are viewed against the background of social blows and in the context of real and grim stories.
At the beginning of the 20th century, Eero Järnefelt (1863–1937) and Venny Soldan-Brofeldt (1863–1945), two classics from the Golden Age of Finnish art, worked in the well-known Finnish artist community at Lake Tuusula. The works included in the exhibition – colourful landscapes, portraits of the artist’s community and compositions focused on everyday life – come from the rich collection of the Järvenpää Art Museum.
In the late 1980s, Siim-Tanel Annus (1960) appeared on the international scene as a performance artist. Today, the artist has moved on from performances to pictorial art, and the exhibition juxtaposes the documentation of his performances with his graphic art.
