The artist Flo Kasearu enters into dialogue with the circumstances, looks at the changes in the operation of the museum and documents the new daily routine of its custodians.
This is the first exhibition of ancient Egyptian art in Estonia. It includes archaeological findings that are thousands of years old and that belong to one of the most prominent ancient Egyptian art collections in the world: the Museo Egizio in Italy.
After his deportation and imprisonment in Siberia from 1949 to 1957, Olev Subbi (1930–2013) returned to Estonia and resumed his art studies. During the 1960s–1980s his art was exceptional under the strict Soviet Estonian regime.
The magnificent exhibition introduces the abundant 15th‒17th-century Flemish art collection of The Phoebus Foundation, and provides an overview of the versatility of Belgian art culture of that time.
The exhibition deals with this powerful phenomenon by displaying works from the Meccas of the heyday of rave, England and Belgium, and provides insight into rave culture today in the Berlin nightclub Berghain, as well as in many other locations.
Ando Keskküla’s (1950–2008) retrospective solo exhibition covers the creatively most active period of his career, from the end of the 1960s to the end of the 1990s.
The exhibition presents the St Dymphna altarpiece, painted around 1505 by Goossen Van der Weyden, a grandson of the famous Flemish artist Rogier Van der Weyden.
The exhibition of the works of one of the most renowned Estonian avant-gardists, Ado Vabbe (1892–1961), focusses on the variegated stages of his creative career.
